Creativity in photography

The creativity journey starts with YOU… Camera is not involved… only YOU!

Many people speak of creativity using nice words like soul, mood, passion, feeling and spark. And yes, these are all great words to wrap around the concept of creativity, however they are not particularly helpful in giving us some real goals to aim at.

For me, creativity implies that we have created or added ‘something extra’. It is that bit of ‘magic’ which will occasionally take what we make and transport it to a special place.


There’s No Recipe for Creativity!

Several photographers can shoot the same subject and all come back with technically competent captures. But one of those photographers might produce results that will shine —all because of the creative X factor!

My creativity is not the same as your creativity, nor should it be. My eyes and my experiences are different than yours.

“Creativity is inventing, experimenting, growing, taking risks, breaking rules, making mistakes and having fun.” ~ Mary Lou Cook


Some argue that creativity cannot be taught… It’s a gift for the privileged few…

Based on my own experience, i disagree!

Throughout every step of my journey, there have been people, books, movies, classes, and workshops that have helped me to become more creative! I still remember when studying photography that my instructor George Seper in his food photography class showed us his passion for food photography and how this led him to be one of the creative and famous food photographers. He taught us how to think with creativity!

Creativity is NOT something only a few are born with!

It is an ASPECT OF LIFE that some nourish and others ignore.

” Creativity is imagination and imagination is for everyone” – Paul Arden

When we were younger, our imaginations were limitless and unfettered with practicality…

That’s why Picasso once said: “All children are artists. The problem is to remain one when you grow up”

If you want to be creative, you need to step out of your comfort zone, be a beginner again! challenge yourself and your way of thinking in photography… Try something new even if you know you are bad in it… It is all about challenging yourself and in the same time exploring your self… Break the rules… use your imagination and have fun!



How to choose what is best for you? RAW or JPEG?!


Another frequent question i get asked and the most confusing one for most of the amateurs…

Many switch to RAW without fully knowing why while others keep shooting JPEG because it’s just plain easy…


Now shouldn’t you know why you’re doing what you’re doing?  


There are lots of situations where shooting in RAW is better BUT also many situations where you should choose JPEG.


Which Format Is The Better Format To Use?

An argument can be made for both formats. Some photographers will feel more strongly in backing the use of one versus another, but it is ultimately an individual choice.

Personally, I shoot RAW + L (large) JPEG as it provides me greater flexibility. For photographs that I’ve exposed correctly, JPEGs allow me a faster path to share images online and selectively use for printing. For photographs that I am interested in having published or printed, I begin my post-processing from the RAW file and make alterations in lossless file formats (TIF). The end result is the production of images that I feel are of the highest quality.


If you shoot hundreds or thousands of images in a day shoot JPG and don’t worry!




The Pros of RAW format:

  • RAW is a digital negative holding all of the data captured by your camera with no sacrifice of image quality.
  • RAW file software editors allow you to quickly and easily change the output of your image such as adjusting exposure, white balance, noise reduction, saturation, contrast, levels, curves, sharpness, output resolution, bits/channel, etc…


The Cons of RAW format:

  • RAW files take up more space…
  • RAW files require you to work with a raw editor then convert your image to an editable file type for editing, printing and/or online display.


The Pros of JPEG format:

  • JPEG is a file format that has been adopted as a standard and can be loaded in a variety of programs making display easy and simple.
  • JPEG files take up less space.


The Cons of JPEG format:

  • JPEGs are not a lossless file format. Each time the file is saved data is compressed, with some data being lost in the process. The net impact can be loss of color saturation, color range and sharpness.
  • JPEG files reflect a one-time interpretation of your subject based on the settings of your camera (white balance, exposure settings and output resolution, etc.). Altering these settings and re-outputting a new file, as you can with a RAW file, is not possible. What you capture is what you get.
  • With specific types of photographed scenes JPEG compression artifacts can appear in prints.


Now the decision is yours 🙂




How to shoot fireworks!



A frequent question “How to shoot fireworks?”

With the summer coming up and different celebrations you may have the opportunity to photograph some fireworks.


Photographing fireworks can be challenging but it’s not impossible!


Choose your location wisely 

Take the time to discover a great location to view the fireworks from. When you get to the location, look for foreground objects. Fireworks against a black sky are colorful, but not that exciting in a photograph. Reference points—buildings, hillsides, trees, monuments—help a lot.

  • Tip – be careful of the wind direction! Otherwise after the first couple fireworks your photos will be clouded by the smoke.


Be sure that your flash is OFF


Tripod is a Must!

To effectively capture fireworks, you will have to use a long shutter speed and without a tripod you simply will get a blurry photo.


Shutter Release Remote

You ideally should be using a shutter release remote which will let you open the shutter without having to physically touch the camera – which can cause blur. I use a cable release


Keep ISO Low 

Make sure to use as low of ISO as possible to ensure your photos are as noiseless as possible.


Which lens is best?

Unfortunately, the best answer I can give to that question is, “It depends on your location.” . I prefer wide angle!


Manual Focus 

Focusing at night is always a challenge. I recommend to set the lens to manual focus and set it to the ∞ (infinity) mark. With most autofocus cameras, use autofocus to focus on something very far away, and then reset it to Manual focus to lock the focus at infinity for the rest of the night.


Camera settings 

It is impossible to tell you what is the “exact” settings…

But we can start with ISO100, f/11, 2 seconds shutter speed. If the fireworks are too bright, pick a higher f-stop number and if too dark, vice-versa (like f/8).

I use “bulb” mode in which I control the length of the shutter manually.  If using “bulb” mode, open the shutter at the start of the firework trail and hold open until the burst, or longer to capture more!


Do NOT use live view 

If your camera has it. This will eat up your battery really fast!


Shoot most of your shots at the start of the show

To avoid the smoke/haze that appears a bit later and ruin your photos!


Make sure you leave enough room in your frame to anticipate the height of the opened bursts!


Have fun and experiment!

Quick Photography Tips For Beginners


Here you go… Some short and sweet photography tips to think about!




  1. A more expensive camera doesn’t make you a better photographer
  2. Rely on the Rule of Thirds
  3. Use a camera sling instead of a neck strap
  4. There is NO easy way
  5. Always have a spare memory card.
  6. Photos do not show the world you have seen, they show the way you see the world
  7. Contemplate your shot
  8. Try different angles
  9. The best equipment doesn’t help if you’re not standing in the right spot
  10. You cannot force a picture to be good
  11. Think about what light you want
  12. Not everyone is beautiful, but everyone is interesting
  13. Prime lenses will make you think more
  14. Zoom lenses are your best friend in street photography
  15. Bump the ISO if needed
  16. Shoot during sunset and sunrise for the best light
  17. Shadows can be subjects
  18. Aperture controls depth of field
  19. Shutter speed controls motion in your picture
  20. Auto ISO is your best friend
  21. Be critical of yourself
  22. Tripods are extremely useful for both interior and exterior shooting
  23. The relationship is about you and the subject, not you and the camera
  24. Show only your best work
  25. Changing photos to B&W does NOT make an uninteresting shot interesting!
  26. Color photography is NOT more artistic than black and white
  27. Two good pictures out of every fifty taken is a pretty good ratio
  28. Use a large aperture for portraits
  29. Use a small aperture for landscapes
  30. Stop hating on others!

Tips For Maintaining Your Camera!



Another question i get asked all the time is “how to maintain my camera?!…”

First, you need to know that DUST and HUMIDITY are the two enemies of your camera!



It influences the sensor of your camera. Hence, it is important to keep your camera dry and away from extreme weather conditions when possible.

How many times have you walked out of your air-conditioned place and attempted to take a photo, only to find that the lens and eyepiece of your camera are both covered with condensation? Alternatively, you have spent the day taking photos in the snow. When you get back to your warm room, exactly the same thing occurs.




In order to effectively clean your equipment, use a soft cloth, such as a microfiber one, and wipe down the exterior to take off dust and other particles that could also creep inside the camera body.


Your shirt is not a suitable cleaning cloth!




Do not spray the cleaning material directly to your lens. Spray the clean material into a microfiber cloth and wipe it slowly to the lens.

There’s a reason your camera comes with a lens cap…to protect the lens!

Lens hoods are another safety feature. Though they’re meant to block sun glare, they have the added bonus of protecting the edge of your lens.



Charge a battery only when it has completely discharged and ensure to charge it fully in one go. This simple habit will ensure much longer life to your batteries.

If you don’t plan on using your camera for an extended period of time, it is recommended that you remove the battery.

Even if you do not use your camera, remember to charge your batteries at least once a week.



Avoid putting your camera in a direct sunlight.

Do not put your camera inside your car for a long time especially when you park your car in an open space.

The excessive heat accumulation will increase the chance of damaging your camera.



Keep in mind that your camera has a computer system inside it and a sudden change of the electricity may damage it. That is why, you need to turn off the camera before you pull out the battery or memory card and also when you plug in your camera into your laptop.



All new camera models have a built-in sensor cleaning systems that vibrate the sensor, or a filter above it to shake off any dust.

This can usually be set to activate when the camera is turned off.



The best way to protect your camera when it’s being transported is to carry it in a decent bag that provides plenty of protection from bumps and drops.

Makes sure that the bag is waterproof or has a waterproof cover to keep the contents dry.



It is recommended to have the habit of downloading all the images from the memory card at the end of a shoot and then format it in-camera.

Formatting the memory card removes all the images and clears any bits of data away so that it can give optimum performance. This is especially important if you intend to shoot lots of images at high frame rates.



Turn the camera off before changing the lens. That will reduce static charge on the sensor and lower the risk of attracting dust.

Make sure that outside of the rear lens element is clean and free of dust, before attaching it to the camera.

Changing the lenses while shooting should be done fast and in a way with your camera facing down to prevent the dust from reaching your sensor and also allow any dust to fall out of the camera!

Avoid (as far as possible) changing lens outside, especially in windy and dusty conditions.



The most talked about issue!

There is nothing more irritating than to see blotches on your photos. When magnified those pesky dust spots can definitely ruin a photograph.

A landscape photographer who is outdoors will pick up more dust and dirt than someone who shoots indoor or in studio.

I always advise to take it to be professionally cleaned.

Damaging a sensor is expensive…


How to choose the right camera for you!


Something i get asked all the time is “What camera should i buy?!”

The marketplace is loaded with cameras in every price range!


What makes a good camera?


You can’t look as a specification like megapixels and assume that more = better.

I always tell my students in the photography courses and workshops the following:

Any modern camera today makes great pictures, but the truth is the person behind the camera makes the photos not the camera!



Buy a camera that fits your life style!




Types of camera

I will explain to you the camera types, you choose what suits you or meets your needs… Next, you can search in the type selected: what is the latest camera brands in the market and the prices… This i will leave to you!


  • POINT & SHOOT: These are a step above a smartphone camera. They’re ideal for someone looking for automatic operation, not for those interested in manually adjusting settings. Image quality with these cameras is perfect for social media sharing and quick snapshots, such as during family vacations or other activities. Many also shoot HD video, and come with shooting modes to really make the process as effortless as possible. New models include built-in Wi-Fi for instant connectivity.
    • Pros:
      • Automatic modes are perfect for beginners.
      • Lightweight and easy to carry.
      • Inexpensive price.
    • Cons:
      • Buttons can be small and fiddly.
      • Most models lack a viewfinder.
      • Generally, not too great in low light.


  • BRIDGE or SUPERZOOM: These are handy for anyone who wants to capture shots from a distant viewpoint. They also include a few more options for manual operation, though image quality is relatively consistent with the basic point-and-shoots with which they share the spotlight. New models reached 50x and even 83x optical zoom, a variable angle LCD screen and built-in Wi-Fi with NFC. 
    • Pros:
      • Manual controls are often available.
      • Plenty of zoom for your money!
      • Good or excellent macro performance, as well as increased depth of field, so more of the picture is in focus
    • Cons:
      • Lesser image quality than cameras with bigger sensors
      • Can be bulky in size
      • Fixed lens and not interchangeable
      • Generally, not too great in low light


  • ADVANCED COMPACT: These are perfect for anyone looking to upgrade to a more advanced system that still remains sleek and comfortable in size. These cameras tend to have larger image sensors and faster processors, which yield higher picture quality and better low-light performance. They offer more options for manual control, and many today are fully capable of shooting in RAW file formats.
    • Pros:
      • Small size
      • Many effects and filters
      • They have many of the programs and manual features that were previously only found on DSLRs a few years ago.
    • Cons:

      • Less zoom capability than cameras with interchangeable lenses and bridge cameras
      • Lesser image quality than cameras with bigger sensors
      • Sometimes can be difficult to get a good grip on due to their small size and slim designs
      • Less control over exposure settings



  • DSLR: These are ideal for someone who understands, wants to learn, or wants the option of total manual camera operation. Someone new to DSLR systems entirely may appreciate an entry-level camera body sold with a kit lens. This would be a great way to get them started with the essentials. A mid-range DSLR may be better suited for those upgrading or expanding into more serious applications. They’re also popular as secondary or backup cameras among professionals looking for a cost-efficient but still high-quality system. Professional DSLRs, such as the full-frame or the APS-C-sized are for photographers who need cameras that are durable and efficient, consistently capturing images of professional quality. They maintain excellent processing speed, quick autofocusing, and optimal low-light performance. Full-frame image sensors tend to respond better to higher ISO settings and boost overall image quality. Full-frame cameras also enable photographers to use a variety of lenses without needing to account for a crop factor; something especially important to anyone regularly shooting wide-angle images. Conversely, top-tiered crop sensor cameras do give that bit of extra reach with lenses, making them ideal for sports, wildlife, and nature shooting, and also tend to have faster continuous shooting rates.
    • Pros:
      • Great image quality
      • Manual settings
      • Loads more exposure breadth
      • Generally longer battery life than the other cameras
      • Optical viewfinder so can see directly through the lens
    • Cons
      • Big and heavy
      • Can be complicated to get your head around
      • Expensive for the camera and lenses


  • MIRRORLESS: These are more popular now than ever. As their name would suggest, they do not house a mirror to divert light into a viewfinder. Instead, they operate similarly to a point-and-shoot, with light falling directly onto the image sensor. This allows shots to be “previewed” on the camera’s LCD screen before each click. Eliminating the bulky mirror and shutter components makes their bodies much smaller and lighter than their DSLR compeers. With mirrorless systems, photo enthusiasts and professionals are given the freedom to shoot RAW and capture high-resolution images without carrying heavy weights.
    • Pros:
      • Small and with technology are now as good as DSLRs
      • Modern and still evolving
      • Electronic shutter with complete silence
      • Shallow depth of field possible / blurred backgrounds
      • Less complicated mechanically than a DSLR, therefore often cheaper to buy
    • Cons:
      • Zoom lenses on small compact style body made them quite unstable unless you purchase a battery grip to balance the weight.
      • Still have less zoom capability than DSLRs
      • DSLRs perform better in sports
      • Battery is drained faster than a DSLR.




How to take a nice self portrait or selfie!


These days self portrait or selfie is quite necessary. Every social network you use asks you to upload a photo of you!

In my latest e-book “The Vision”, i talked a little bit about selfie. Download “the vision” ebook for free.


In my opinion self portrait is simply an exploration of self!.


self portrait


What Gear Will You Need for Self Portraits?

If you are interested in a self-portrait that is more than a classical one, you have to use the following items with a camera:

  • A tripod to put the camera on
  • A remote to click the shot from a distance also the self timer with 10 seconds can do the job, but i recommend a remote!
  • Lighting: from flashes to a regular lamp in your home! There are many ways to play around with light.
    • One idea: try using a flashlight in a dark room to focus on one element (your face, your hands, etc.).

With your phone: Sometimes all you have with you is your phone and you don’t want to take another arm-length selfie. No worries, there are tons of self-timer apps available to help you take better phone photos, download a few to find out which one you prefer, and try balancing your phone on a stable surface in front of you. Also don’t use the front-facing camera on the iPhone because it lowers the photo resolution. Always use the higher quality camera on the back of the phone. OR use a selfie stick… some apps remove the selfie stick from your photo!


“Try to have a vision before you start!”


Creating a Composite Self Portrait in Photoshop

That’s my favorite!

Shooting your self in a location and add something to the shot in post editing ( i use Adobe Photoshop ).

Experiment with photo editing and make the most of your photos!


Selfie2 from the vision book

Photo capture from “The Vision” e-book



  • Don’t force emotion!
    The camera never lies. Relax and be yourself.
  • Let it tell a story!
    A self portrait is a quick look into your mind. Think about how you want to convey a message of who you really are.
  • Learn from your mistakes!
    Review each photo and see what you can do better. Look at the light, emotion, does it convey the message or story. Change what doesn’t work and be critical.
  • Get creative!
    Composition is everything. Try new angles, try new crops, photography is art so think about ways in which you can mix things up.
  • Watch your background!
    You background is almost as important as you are in the self portrait. If it doesn’t relate to your story use a shallow depth of field to blur it out or change where you are shooting.
  • Try to overexpose/underexpose your photo!
  • Don’t always look directly at the camera!
    Look down, look up, look off camera or turn your back to the camera. It adds variety to your photos, and also gives you a chance to show of different angles of your outfit.  Not looking directly at the camera gives photos a more candid feel. It can make you look more natural, rather than posed and rigidly looking into a camera lens.
  • Remember, you can look at what you have and take more shots!
    Check the angle and lighting and find the most flattering position. I like to sit facing a window when I take photos (with the flash turned off). window light can be really nice on the skin.